End / Boebeck / Pony Pracht / Moving As A Giant

EUphoria - A musical celebration of Europe.

EUphoria!
For more than a decade, the annual Europe Day at Ancienne Belgique in Brussels has been a musical celebration of Europe - between exchange, networking and concerts by young European acts. As part of the Liveurope project, the Posthof is continuing this initiative for the first time in 2026 - for more visibility of new voices and a scene that grows across borders. Four bands from Austria, Germany, Hungary and Slovenia, united by the idea of an open, shared Europe: an evening of diversity, connection and new musical perspectives. Celebrate with us!

These concerts is supported by Liveurope, the first pan-European initiative supporting concert venues in their efforts to promote emerging European artists. Liveurope is co-funded by the Creative Europe program of the European Union.

End (AT)
The duo from Vienna and Linz creates an independent sound world in which post-punk, Neue Neue Deutsche Welle, pop, new wave and punk are organically combined. Their music thrives on contrasts and manages to maintain an exciting balance between harshness and fragility. Guitars, drum machines and synthesizers merge into a dense, powerful sound that is immediately moving and at the same time invites you to dance.

Ende sing about broken relationships, angry nights and hidden escapes. Their songs tell stories of people who are tired, who want to disappear or remain alone as a couple. It's about shadows, signals, fear and longing. The language remains reduced and direct, without pathos, but full of emotion.

Live, the duo becomes a four-piece band. On stage, the songs unfold a new dynamic - a little more playful, raw and even more energetic. Concerts by Ende are intense, loud, sweat-inducing and at the same time unifying.

They reached top positions in the FM4 charts. The media echo grew, as did an ever-growing fan base that appreciates the band's unique style. Ende stand for a sound that doesn't pander and yet still sticks, for an attitude that can be uncomfortable, and for music that creates space for anger, sadness and hope.

Current album: "Utopia" (EP, 2025), daswartenhateinende records

Boebeck (HU)
Between melancholy and resistance, between the inner world and external noise: this Hungarian project, centered around front woman Boe, has developed from a solo approach to an independent band in a short space of time - and found a clear voice in the process. What began in 2023 with the debut album has led to numerous shows at home and abroad on major festival stages such as Sziget or Reeperbahn and across Europe's club landscape.

With the EP "lucky", the sound became more open, more guitar-heavy, more searching. "Evil Under The Sun" continues on this path: new wave, indie, post-punk - not as an exercise in style, but as an expression of an inner urge. The songs revolve around identity, vulnerability and the question of how much honesty a present that often prefers to smooth over rather than deepen can withstand.

Live, this tension manifests itself in changing states: sometimes withdrawn, almost floating, then again edgy and direct. The fact that this band shares stages with Paolo Nutini or Bilderbuch is fitting - not because of stylistic proximity, but because of an attitude that does not conform.

With new singles such as "little fight" and "no amends" and more material on the horizon, the project remains on the move. Perhaps this is precisely where its strength lies: in not arriving, in continuing to question, in consciously keeping an open mind.

Current album: "Evil Under The Sun" (EP, 2025)

Pony Pracht (DE)
Between voice and machine, between intuition and code: Behind Pony Pracht is the Leipzig-based singer and media artist Lisa Zwinzscher, who reassembles pop - layer by layer, sample by sample. The starting point is her voice, multiplied, dismantled and reconfigured. The result is a sound that moves between avant-garde pop, dreamtronica and a cool, floating cloud aesthetic.

Central to this is a specially developed instrument that works exclusively with vocal samples and shapes their compositions. At the same time, artificial intelligence becomes the creative counterpart: Lyrics are created with the help of algorithms, voices are cloned, dialogs are held with themselves. What sounds technical comes across as surprisingly organic - like a pulsating structure that is constantly reforming.

With the EP "Lomb" in 2023, she made a clear statement for the first time, accompanied by self-developed visuals and her own music video game. Live, this continues to intertwine: sound, image and digital aesthetics intertwine and open up a space in which pop is not understood as a form, but as a process.

Current album: "Lomb" (EP, 2023), Schatulle Bömm

Moving As A Giant (SLO)
A massive body of sound that slowly starts to move: This trio from Murska Sobota combines noise, fuzz and melody to create a dense, physical experience. What initially builds up like a wall begins to breathe, to push, to tilt. Heavy rhythms meet shimmering synths, guitars pile up - and in the middle of it all, a voice that holds everything together: Bojana Pejanović, clear, insistent, with a presence that oscillates between control and loss of control.

The self-titled debut album from 2024 marks this approach in its most concentrated form. No evasion, no embellishment - instead a consistent exploration of volume, surface and emotion. Noise is not an effect here, but a starting point: something that is shaped, layered and constantly rethought. Between massive guitar landscapes and fragile moments, a field of tension is created that does not dissolve, but continues.

Live, it becomes a maelstrom. The pieces unfold their full force, but remain flexible, open and permeable. Performances at festivals such as MENT Ljubljana or Druga Godba have shown this impressively - as has the steadily growing attention for a band that has found its own language.

Perhaps this is precisely where their strength lies: in their ability not to play hardness and vulnerability off against each other, but to make them audible at the same time.

Current album: Moving As A Giant (2024), Kapa Records