Salò

Hardcore is dead Tour 2026.

Pop is dead. Punk was never to be grasped. Hardcore? Also finished.

What remains is Salò - the anarcho-pop-punk poet from Vienna, who makes club stages shake with his emotional punch and sharp social criticism. After his acclaimed album "Problemzone Mensch" (2024), the next escalation stage is now coming: Hardcore ist tot Tour 2026 - a liturgy for lost souls with glitter under their eyes and weakening wifi. New anthems for broken hearts, new looks for broken bodies. Between punk, electroclash and capitalism therapy, Salò sings of love, anger and excessive demands in the now. With smug mockery, unconditional self-irony and radical vulnerability, Salò makes music for an overwrought generation - loud, unruly, danceable - and every one of his lines hits the heart.

Salò is coming to the Hardcore ist tot Tour 2026 with a new album (release date: April 26) and an excessive live show, angrier, louder and more intimate than ever. The advance single "Jello Biafra", named after the legendary Dead Kennedys frontman, shows unmistakably where the journey is heading: "Rent is not getting more expensive - rent is being made more expensive" - a sentence like a guillotine that nobody can take their head off. "Jello Biafra" is not just a song. It is an acoustic pamphlet, a manifest blow to the sterile corridors of late capitalist rental contracts.

Salò is pop with attitude, glamor with dirt, punk with synthesizer. Anyone who experiences him live knows: this is not a show - this is escalation with depth. Salò dances on the ruins of masculinity, morality and the mainstream. He makes noise that lasts.

Salò is the alias of Austrian musician Andreas Binder, who has been shaking up stages in German-speaking countries since 2019 with his uncompromising mix of anarcho-pop, punk, electroclash and social criticism. With songs such as "Apollonia sitzt bei Edeka an der Kassa" and "Ich glaube nicht an Dinosaurier", he quickly became a cult figure in the Viennese indie scene. His explosive live shows are more catharsis than performance, his lyrics a soundtrack for life between criticism of capitalism, longing and sensory overload. Salò is music that doesn't want to be asked whether you like it, but whether you are still awake.